Wednesday, 30 January 2008

Art Therapy – Does the environment make a difference for kids? Written by guest writer Jodi of Happy House Quilts

So it’s about the environment that we create for our children that will make a huge difference in their creative lives. The physical environment starts off with media available to them, media appropriate for their age group, I might add.

Modelling the behaviour is also part of the physical environment…do you create? Do you give yourself time to get messy and play with crayons, markers, clay, paint, coloured water, needle and thread? Children’s brains work in such a way that they are very tactile…they learn by touching, seeing, doing. Their developing brains need constant stimulation to grow pathways that will enable them to achieve new abilities now and later in life. In the Alzheimer’s world it’s called “Use it or loose it!” well, with art, creativity and kids you are encouraging them to develop it, so they can use it and hopefully keep using it.

Now, to establish their mental environment: It’s important to establish space to create. Space and boundaries can be established with lines drawn on the driveway with sidewalk chalk or with painter’s tape on the kitchen table. Use of a placemat or tray is also helpful to establish boundaries. Paper itself is a boundary of sorts but clay or textile work may need more effort to set up and put away. Yes, these are also physical ways of manipulating their environments but what you are also doing is un-cluttering their visual space. Once they have space to focus to task they are more apt to benefit from the time spent doing the activity.

What if you have siblings and a toddler keeps touching older brother or sister’s image? A common response is, “oh, Suzy just wants to do what you are doing”. That will only lead to the older child feeling under valued. When a child wants to create make sure you set up space for both or all children in the home. Art is like a magnet and if one leads, others will follow. Applaud the leadership of the older child to initiate the activity and ask the older child from the beginning to help set up space for both/all.

Reinforce boundaries, “this is your paper and that is Johny’s”. Be careful not to add your artistic touch to an image or creation without asking first too. They may allow it but they may also feel like they have no other choice, as most kids want to please the parent. Respect, on all levels of creativity, will yield a happy, creative, well-developed sense of autonomy and encourage positive sibling interaction.

It is common to hear that the older child wants to work with markers but the younger child is unable to refrain from drawing on their body and mom or dad would prefer crayons be used. Know this going into the process, and brainstorm what artists use and maybe get some higher-end crayons for the children. The older child will love that they are “artist” quality media and the younger child will be using developmentally appropriate media. Also have a crayon sharpener available to the older child for a chiselled tip, this too is a tool that they will value as special to their age and will allow for more precise line placement.

The spiritual environment is the space you give to their fragile and ever developing sense of self and self worth. Different age groups have different needs with this, sometimes it’s strictly through peer interaction but often times it’s the refuelling they get from mom and dad that helps foster their sense of wholeness verses feelings of inadequacy. When your child draws or creates…do you hear yourself saying, “Oh honey, it’s wonderful, what is it?” This simple statement can be so earth shatteringly painful to their egos. All of a sudden what was simple expression and play has turned into function and value and performance…trying to please mom or dad, they respond with “It’s you”…or some other idea that pops into their head.

The time a child creates…the seconds of creation is when you will find out what the image expresses…not minutes after it’s completed. Spend time with your child while they create. Foster a dialogue with them about their use of colour and stroke, how they choose to fill up space or choose to leave areas empty. Encourage them to project thoughts into the scribble or image…”if your picture could talk what would it say to you? What is it thinking? What does the painting wish they could do? What is the yellow colour feeling?” Rather than asking them “what is it” remark about the shapes and juxtaposition of objects, balance of the image or asymmetry. Yes, I do use those terms with my kids since they were about 2 or 3 and drawing up a storm…it expands their vocabulary and provides words of value to what they create, rather than judging and providing expectations of performance.

Embrace the image whether it is pretty or not to your eye, the moment of expression is beautiful and that is ART! Support their process of creating through support of the environment whether the end result is a cherished keepsake or not.

Maybe you are just not crafty...or maybe no one encouraged your creativity when you were younger...look to kits to help guide you and your kids through exploration of new materials.

Written by Jodi of Happy House Quilts http://www.happyhousequilts.com/
Jodi is a Master's Level Art Therapist.

If you are looking for kids craft kits please take a look at Jodi’s 'Threadibilities Craft Kits(TM)' and Sara’s Texture Crafts kits at 'For kids and for kid's to do'

Monday, 28 January 2008

Spotlight Feature #22 - Susan Ward

For today's feature I have gone back to my passion - textiles. I have asked Susan to take us through her stunning wall hangings, which are made using traditional craft techniques.

1. Tell me a bit about your background and how long you have been an artist/crafter.

I studied art and textiles at school and college but I am mostly self taught. I was a professional florist for almost 15 years specialising in wedding design and, in one way or another, art has always been a part of my life. I was taught to knit as a child, as were many children of my generation, and it has always been a hobby of mine, but about three years ago I felt the need to go in a different direction. It was then that I started to sketch and design the beginnings of my textile wall art. As soon as I got the basic ideas together I became addicted and haven't stopped since.

2. Where do you find your inspiration?

With very few exceptions my designs are based on the natural world and I try to portray the beauty of our Earth through my work.

3. Do you sell your work, or is it purely for pleasure?

I do sell my artwork, mostly privately but it can be found: http://www.sewsusan-textilwallart.blogspot.com/

4. If someone was looking to take up this craft should they have any related experience before they start?

The most important thing is to be able to knit. Not intricate patterns but definitely the basics.

5. What would be your top 5 tips for a beginner?

1. Be creative; allow yourself to be flexible.
2. Let your work interpret the title.
3. In the beginning try to keep it simple.
4. Knit a few pieces at a time and try to shape your design slowly.
5. It is your design so it can never be wrong! Have confidence in your ability.

6. What would be your top 5 items of essential equipment?

1. Wool and needles
2. Backing fabric.
3. Artist's stretched canvas.
4. Other embellishments e.g. beads
5. Sewing needles.

7. Can you recommend a technique or 'tips' book ideal for a beginner?

250 creative Knitting Stitches (The Harmony Guides)

8. Can you recommend any brands to look out for, when buying equipment or kit?

In this type of work it is possible to use cheaper wool until you get better.

Friday, 25 January 2008

'How To Block Your Finished Crewel Work' by Guest Writer Tana Dixon.

You’ve come to the end of your crewel project! Congratulations! You probably feel like celebrating. Your crewel piece, however, isn’t exactly ready to put into a frame, though, is it? Manipulating the fabric and yarns has left it looking sort of bedraggled. At this point, you may not feel personally competent to proceed with the blocking process. Once you have blocked several crewel pieces, however, you will be perfectly at home with the idea, and it will no longer seem daunting to you. And after buying your basic blocking board supplies, you can block your own pieces for virtually no expense at all.

Blocking is the process of straightening the crewel background fabric, eliminating wrinkles, and getting the warp and weft threads at right angles again. A piece of crewel work must be blocked for several important reasons. First of all, part of the beauty of crewel done well is that the stitches can rise above the plane of the background fabric and stand out in sharp relief. This effect begins with the way the stitches are put in place, but it definitely ends with a good job of blocking the finished piece. Secondly, the threads of the background fabric must be realigned so that the weft threads are perfectly horizontal and the warp threads are perfectly vertical. This perfect thread alignment is the perfect finishing touch for your piece. But one very important and yet overlooked reason for blocking a linen fabric is that this process will release the natural starch within the fabric and bring a beautiful crispness to the finished piece.

Let me just say: NEVER, BUT NEVER iron your finished piece of crewel! Doing so will flatten the stitches, create puckers where the background fabric meets the stitches, possibly mark the linen fabric with shiny areas, and perhaps lead to a scorching disaster. There is no need to ever touch an iron to a crewel piece. The first time you block a piece of crewelwork, you may think that you are just about to ruin your project, but don’t worry—everything will be fine!

Most reputable crewel elements of yarn and linen will be quite colorfast when wet. Since wetting the piece is part of the blocking process, check the materials for colorfastness if you have any doubts on this subject. However, I have never had any color bleeding when using standard wool yarns and good quality linen fabrics.

It is possible that you may see different instructions for blocking a piece of needlework. Each needleworker will find a method that works. All of the methods will have the common idea that you are going to stretch the fabric tight on some rigid surface and then wet the fabric thoroughly. So do not think that there is only one way to accomplish this!

You will need a few basic tools in order to perform the blocking process:

A basic blocking board will hold your piece securely. Some blocking boards are wooden. However, I use a thick piece of styrofoam so that I can pin into it at any point. The blocking board must be large enough to accommodate the size of your project. My board is 20 inches by 24 inches and accommodates most pieces that I stitch.

I have taken a piece of gingham fabric large enough to cover the board and have wrapped it over the edges, securing the edges with T-pins. T-pins are usually available at hobby, craft, and fabric stores. Make sure that the gingham that you have chosen is colorfast, and make sure that it is straight and taut. The lines of the gingham pattern will become the natural straight lines that you need in order to lay out the edge of the needlework and make it straight.

Take your finished crewel piece and place it right side down on the gingham on the blocking board. Start in the upper left corner and pin the top edge along a straight line of the gingham pattern. When the top is pinned straight, pull tautly on the needlework linen and place the bottom edge along a straight line; pin it in place with T-pins. When the bottom and the top are securely pinned, pull one side taut and pin it in place; continue then by pinning the opposite side into place. When you are done, be sure that the piece is pulled tight so that all wrinkles and puckers have been eliminated but that the warp and weft threads of the linen are lying straight. Use as many pins as it takes to accomplish straight threads. Once you wet the piece, it will dry as it has been put on the blocking board, so the threads must be nice and straight.

When the piece has been pinned to your satisfaction, take distilled water in a clean spray bottle and thoroughly wet the piece. Make sure that the fabric is evenly saturated; any areas that do not get as wet as the others will show watermarks. Put the blocking board aside and let the piece dry for 24 hours. It must be thoroughly dry when you unpin it. If your environment is humid, you may need to put the blocking board in a place that has good air circulation so that the piece can dry as quickly as possible.

When the piece is thoroughly dry, unpin it; turn it over, and you will see your beautiful, straight piece that looks as though it has been starched. The stitches should stand out proudly against the linen background, and there should be no wrinkles or puckers. If you still have a minor problem like that somewhere on the piece, repeat the blocking process. Remember, though, to thoroughly wet the entire piece in order to avoid watermarks.

Congratulations! Your piece should now be ready to finish out as a pillow or hanging. Proceed with any sewing or framing steps that you need in order to finish your piece. Well done!

Written by Tana Dixon
Blocking piece use is Phillipa Turnbull's 'Glamis Rose.'

Thursday, 24 January 2008

Texere products back in my craft shop!

You may have read my previous post 'Texere products back by popular demand'. Well today is the day!

Sara's Texture Crafts - The Craft Shop

Throughout today I will be listing several items, ranging from felt kits and fibers to silk noil shade packs and textured threads. Here are a few piccies to wet your appetite...

And please note that threads and noils come in every shade of the rainbow!





Wednesday, 23 January 2008

The Diary of a Textile Crafter: The Exhibition - Part 6

Now that I have my stand details all booked and paid for I've been busying myself with giant lists of things that need doing... the only problem is that as soon as I cross something off, I think of something else I should be adding!


'Anal Annie' they called me at college... my boyfriend doesn't bother to even comment any more... if there something that needs doing, I seem to organize it to within the last breath of it's tiny life! So being no exception, I created a board of 'to do's' for the exhibition... top left are the show details and contacts, bottom left is my beloved and ever changing range plan and on the right is what needs to be done broken down into things like stand needs, stock needs, etc... But never having exhibited before, it's hard to know whether I've got everything nailed down - we shall see (Pies at the ready?!)

As I've finally finished all of the art to display on the stand and my supplies are in, I've started working on product now too. My range plan on paper seemed doable at a push, but now that I've cut the bags and have started felting for the jewellery I'm feeling under pressure... My aim is to fill the box!

Because I don't have a studio and room is tight here I've reduced myself to unsightly piles of work (which I hate!) These are - the cut but need to felt, the felted but need to embellish, the embellished but need to assemble and the assembled and need to package. I'm trying to make a dent on each pile each day... that way I will get a varied workload and hopefully not so easily distracted by crafting something entirely different! Focus Sara, focus! I keep seeing that book on weaving I got for Christmas out of the corner of my eye though!

To give me a bit more focus... I jotted down my design ideas over Christmas and created a board. Hopefully that will keep the range looking like a tight and thought through collection and keep me on the straight path.


In the meantime... back to felt ball rolling!



If you would like to catch up on my previous diary posts, here's the link Diary of a Textile Crafter

Sara x

Monday, 21 January 2008

Spotlight Feature #21 - Lisa Salamida

Not sure if you remember, but a while ago I posted a feature on a papermaker who uses her handcrafted paper to package her homemade soaps... Loved it! Well, today I thought it would be really nice to concerntrate on the soap and here to tell us more about her craft is Lisa... who I must say makes soap that looks just edible!

1. Tell me a bit about your background and how long you have been an artist/crafter.

I grew up in New York, and moved to San Francisco in 2000. I picked up soap making as a hobby then, while I was working as an editor for a newswire service. I still work for the same company but have since transferred to the Help Desk as a computer tech. I decided to go to the next level with my craft and offer items for sale, and found that Etsy is just the best place for me. The site is lovely and the people are friendly! My husband is also on Etsy as a painter.

2. Where do you find your inspiration?

I am most inspired by my culinary background. Growing up in an Italian family, food was always such a focus, a way to show love and connect with my family. I bring that to my soap making -- soaps so yummy you could almost eat them! I try to find combinations and scents that soothe the mind and enliven the spirit. I pay close attention to the color, form and texture of the soap -- I want to make them above and beyond the ordinary, to make them a sculpture of lavish indulgence.

3. Do you sell your work, or is it purely for pleasure?

I do sell, I began selling my soap in October 2007 -- I have been very blessed, my store has well over 400 items sold and I hit the top 20 list of Etsy sellers on December 3. It's important to me to offer a very well-crafted product, something that the customer is longing to unwrap and jump into the tub with!

My shop is located at http://savor.etsy.com/.

4. If someone was looking to take up this craft should they have any related experience before they start?

Soap making can handle all levels of commitment. From the purists who craft with lye to the melt-and-pour fans, there is room in this discipline for all ages and abilities. A good eye for color, a creative mind and a good sense of smell are assets in this craft -- as well as a good dose of patience!

A person could buy a soap base and molds from a craft store and be making wonderful bars by the afternoon, but to take the craft to the next stage, one needs to invest in high-quality materials: bases, scents, molds and additives (petals, salts, etc.). I scoured the San Francisco Bay Area for the best soap supplier and buy 99% of my materials from her. My supplier runs a lovely, small boutique in Berkeley, CA. Her customer service is amazing and she loves to collaborate with me on my new ideas. She's a soap maker, too, and her advice has been priceless! It always pays to talk with someone experienced in the craft you'd like to pursue.

5. What would be your top 5 tips for a beginner?

  • Stay organized. Keep all supplies labeled, keep an Excel inventory spreadsheet, and write down your recipes!
  • Invent and innovate. Keep your creations fresh and unique!
  • Practice. Test your soaps in your own shower and see if they behave like you expect.
  • Keep your area clean. Keep all utensils well maintained, counters scrubbed and knives sharp.
  • Buy in bulk and anticipate demand. This is my biggest challenge of the moment -- my shop has taken off, which is lovely, but because it's the holiday rush I've had to return to my supplier almost every weekend, which takes precious crafting time away! Having supply on-hand makes life great.

6. What would be your top 5 items of essential equipment?

  • High-quality MP base. Base found at craft stores is great to start with, but there are much better bases out there. Find a good, independent shop and buy locally when you can. The base I buy was originally not an MP crafting base, it was developed for higher-end stores to make their soap with.
  • Knife and bench scraper. These go hand-in-hand -- a gigantic chef's knife to cut my 43 pound tubs of base with, and a bench scraper to gather up the cut pieces for melting.
  • A good scale. Works for soap, oils, additives and shipping!
  • Pipettes. Get precise measurements of scent so that recipes are easily duplicated.
  • Mentors!!! You've got to continually learn to be able to grow. I learn the best from others, so I spend time with people who love to teach. It doesn't even have to be for your particular craft -- you can learn a lot from someone in another field, and everyone's going to have tips on running a business, too, which cannot be neglected if you sell.

7. Can you recommend a technique or 'tips' book ideal for a beginner?

I've read every book on soap I could find in the library, but I would say for my creations, I have learned the most from cookbooks. I don't have any particular favorite book. I do think it's important to continually read up on your craft.


8. Can you recommend any brands to look out for, when buying equipment or kit?

Warehouse and "dollar stores" can have amazing equipment that you may not expect. Wrapping/shipping materials, bowls, buckets, mops, sponges, towels, do-dads for photography, Tupperware to contain stock -- all of that can get very expensive but discount stores can take some of the burden off.

As far as brands for the soap supplies themselves, I don't use anything yet except what I buy from my local supplier. I think it's important to support independent artists!

Friday, 18 January 2008

‘Tragedy and Triumph’ by Guest Writer Pamela Baker

A few weeks ago I wrote about my love of quilting and showed a few of the quilts that I have done on my blog. In the meantime, though, I have somewhat put my quilting 'on the back burner' as I started making jewelry. From there, I am undertaking my next Project, which brings me back to my quilting expertise. Andrea, ‘JennyGardener.etsy.com’, and I began brainstorming an idea which we had hoped would get a good response from our Etsy friends and quilters. Of course, before we got our idea off the ground and onto our quilting mats, we let Administration know what we are working towards. I then emailed 'The Storque' (Etsy's Blogzine) about our idea and they absolutely loved it, and gave us the ok to get started. They suggested we start soliciting artists through the forums and various Teams. I am now sharing this Project, to the many readers of Sara’s 'Crafts of Texture', and invite

anyone interested to reach me through my shop: MagdaleneJewels.etsy.com

What started as a conversation in a thread on the forums talking about embroidery and quilting; and as all forums seem to do, led to a whole different aspect of what was started - Andrea had mentioned about doing an embroidery commemorating something historical that has either taken place or changed our lives since the beginning of the new millennium. This was met with comments in a few of the threads that not everything which has occurred in these past 8 years has been tragic. Some in the forums mentioned the many accomplishments achieved during this time. Since everyone had so many views and opinions, I suggested that if we each submitted an 8' (block) quilting square (actually 8 1/2' allowing for seamage), we could each either quilt, embroider, scan a photograph onto a square, paint, appliqué' - whatever our talents allow: specifically something historical.


This is where our 'Tragedy and Triumph' theme came into play. We decided that since so many views were presented, we would assemble 2 different quilts, each one symbolizing the tragedies that have affected us and will remain with us throughout history and should not be forgotten, or the successful triumphs that have been accomplished historically during this time.

"The inspirations for the quilts are all those people who recorded history in their artistic expressions. We don't know their names, yet they captured history in their homely work. Tapestries, quilts, needlework - these are all we have left. Yet these works inform our understanding of history". http://www.jennygardener.etsy.com/

We have gotten so many positive responses of those wanting to do a block commemorating something that has touched each participant. One woman’s work of art will be tribute to Katrina, since she worked there during the relief effort to help those left homeless. We have a square dedicated to the memory which will stay will all of us, the bombing of the Twin Towers; another will be a tribute to the Columbia Shuttle Disaster, the loss of lives to SIDS. These will all be commemorated on our "Tragedy" quilt. So as not to leave all of you on the down side, our "Triumph" quilt, will be dedicated to memories such as the Space Shuttle Exploration, another to the "Love of America". There will also be blocks reminding us of our commitment to "Saving the Planet". Once all the ideas are submitted and the quilting has begun, I will keep an updated list on my blog: http://www.magdalenejewelspjk.blogspot.com/.

One can also submit a square for each quilt; we will need 80 squares for each. Once this part is accomplished, I will then assemble the various squares into the finished product, and then offer it to Etsy to auction off, with the proceeds going to such charities as the many orphans in Iraq; children of fallen soldiers; those left homeless by Katrina, etc. - of course these ideas are open for any suggestions. Also, this project is open to all, whether here, or in England, Canada, Europe; basically all Etsians!


We have gotten off to a good start and hope for much success for our 2008 Project - 'Tragedy and Triumph.'

Look for future articles following the progress of this beautiful historical quilting project.



Written by Pamela Baker of MagdaleneJewels.etsy.com

Thursday, 17 January 2008

Texere products back by popular demand!

New Texere stock will arrive 24th January 2008 and will include fibres, thread/yarns and felting kits.

So remember to save me as a favourite and come back to check me out...

More soon,
Sara x

http://stores.ebay.co.uk/Saras-Texture-Crafts

Wednesday, 16 January 2008

Craft Shop - New Stock!

Arrives 17th January 2008 - 8pm!

Visit me here in my eBay shop - http://stores.ebay.co.uk/Saras-Texture-Crafts
So what will you see there? Here are a few ideas...

Crochet jewellery kits

Embellished cross stitches - Thomas Kincade

Crewel work kits - Sarah May Collection

Knitting and Crochet patterns


You can Find one of my pieces in the JET Store!

Last month I posted an article about the new JET (Jewelry on Etsy Street Team) shop on Etsy... Come-meet-jets-on-etsy and have since then been working away on my collections. So, I was thinking maybe I should ask if I can add something to the shop? Bless them, they thought it would be lovely... so here is my offer!

Felt Scene Earrings - JET Team Exclusive



Description:

Hi,

You are viewing my ‘Felt Scene’ earrings, made from needle-punched felt, embroidery thread with beading and gold (colour) wire. Please note that the findings may not be hypo-allergenic.

This colourway is my Etsy JET shop exclusive... whilst I have other colours in my shop, this colour will only be listed here until it sells out! (I do stock this colour in one other on-line shop, but not on Etsy.)

The earrings measure approximately 4.5cm in length and the felt measuring 2.5cm in length.Please note that every pair is unique, so grab yourself a piece of art today!

Thanks for looking...

Sara x

http://www.sarastexturecrafts.etsy.com/

Tuesday, 15 January 2008

The Press You Never Knew About!

I love reading arts and craft blogs and I try to spend a little me-time each week exploring other crafter's passions... and then surprise! I got press I never knew about!

A feature on one of my Etsy products - http://etsybling.com/jewelry/maiko-ring/

I have also been included in Moonlighting Creations's list of favourite shops (www.moonlightingcreations.wordpress.com)

Thank you! Sara x

Monday, 14 January 2008

New Collections!

My new DaWanda and Etsy collections are now in-store! Do pop over for a taste of my new passions... felt mixed with beading and embroidery! You will be reading lots more about my new works in my Diary of a Textile Crafter over the coming months...

DaWanda Link - http://en.dawanda.com/shop/sarastexturecrafts (Handmade Jewellery, accessories, artwork and gifts)
Etsy Link - http://sarastexturecrafts.etsy.com/ (Handmade Jewellery, accessories, artwork and gifts)

Here are some pictures to wet your appetite!






Friday, 11 January 2008

DaWanda Seller's Blog Group - Update #10

Good Morning all! It's that time again!

Here are the vitals;

Member List
DaWanda Sellers Blog Group - Application form.

---------------------------------
Looking to promote your DaWanda store?

Look no further and join DaWanda Promo Bags today!

There is still time for anyone who wants to be involved in the first batch of promotional bags to send their items to us.

Here are your contacts;

DaWanda On-line promos (bags sold through DaWanda and hopefully the DaWanda Shop Directory too) - http://dawanda.com/shop/sarastexturecrafts/
UK Show promos (given out at UK shows) - http://dawanda.com/shop/magicpumpkinsandfaerydust/
German Show promos (given out at German shows) - http://dawanda.com/shop/contascoeln/
French Show promos (given out at French shows) - http://dawanda.com/shop/triune/

Here's how it works;

1. Contact the relevant person through DaWanda for their address
2. Have ready 15/20 Business cards and/or Small promotional samples – no breakables. Each item you send should be clearly labelled with your DaWanda shop.
3. Once received by the organiser your cards and/or items will be added to the 'Promo' bags.
4. These will then be distributed to potential buyers.
As an added extra... if you are participating in the on-line bags you will be added to my pinboard at http://en.dawanda.com/list/SarasTextureCrafts/5129-DaWanda-Promo-Bags-here-are-the-sellers

For a closer look at how our German bags looked... http://dawandashopdirectory.blogspot.com/2008/01/looking-to-promote-your-dawanda-store.html

---------------------------------------------------

Today's feature is Tabitha Emma...
1. Tell me a bit about your background and how long you have been an artist/crafter.

My name is Tabitha, I’m 21 and I live in Sydney Australia, which is where I have lived all my life. I have always been a creative person. My mum is an artist so she encouraged me and my brother to be creative when we were young. We also had access to a lot of craft supplies, we would do paper-machè, painting, play dough, craft, knitting, cooking and sewing. Then when I went to high school I discovered textiles and fell in love with sewing and designing and went on to do a fashion design course.

I graduated from the Whitehouse Institute of Design last year with an Advanced Diploma in Fashion Design and Textiles.

I worked at Hot! Clothing as a design assistant at the beginning of the year. Since then I have been making bags and clothing and selling them online as well as working at Mr. Whippy (an ice cream shop).

2. Where do you find your inspiration?

I’m mostly inspired by other peoples amazing work, seeing what great talent other people have spurs me on to try develop my own style and skills. I do a lot of research on the internet, read magazines and just generally keeping an eye out at the things in the world around me. I guess it’s the culmination of all the things I see throughout the day that come together to form ideas, and I often suddenly think of things in the middle of the night and have to quickly jot them down.

My children’s bags actually started as a major work I did in High School. The ideas came from childhood memories.

3. Do you sell your work?

I sell on DaWanda- http://en.dawanda.com/shop/tabithaemma
And I have two Etsy shops- http://tabidesigns.etsy.com/ (my bags), http://tabithaemma.etsy.com/ (clothing).

4. You mentioned that you sell on DaWanda. How did you find out about the site and how long have you been selling there?

I discovered DaWanda through IndiePublic (a social networking site for indie designers). I saw it on someone’s profile and decided to check it out, I thought it looked really cool so I gave it a shot. I have only been on there for about a month and a half so I’m still pretty new to the site.


5. Tell me a bit about your current DaWanda collection.

I'm currently selling a range of children’s purses. They are all fun novelty shapes, inspired by childhood memories, of sweets, dress ups and tea parties. I like to use bright fun colours and soft fabrics. My bags are soft a squishy making them suitable for playing with as well as carrying small objects.

My 2 favourite designs are the Slice of Cake I came up with this design about 3 years ago, and only created just recently, I really love the way it has turned out. My other favourite is the cup of tea purse, this purse has been very popular.

Wednesday, 9 January 2008

The Bead Shop, Covent Garden, London.

One of my favourite haunts in London for my crafting materials is The Bead Shop in Covent Garden. Whether or not I need beads that day, I can never resist a peek along the aisles of beady pleasure in this shop! From Swaovski and semi-precious stones to a rainbow of seed beads, I am always spoilt for choice... and they even have a website too!

Opening Hours:
Monday: 1.00 pm to 6.00 pm
Tuesday to Friday: 10.30 am to 6.00 pm
Saturday: 10.30 am to 5.00 pm
Note: The basement closes 30 minutes before the store closes.

Location:
21a Tower Street, Covent Garden, London WC2H 9NS, England
Telephone: (44) (0) 20 7240 0931

For those of you who shop in America try their website at http://www.beadworks.com/bead_stores.htm there are so many sister stores to choose from!


Images courtesy of http://www.mapscape.net/

Monday, 7 January 2008

The Diary of a Textile Crafter: The Exhibition - Part 5

The show details confirmed!

Stitch and Craft Show
27th to 30th March 2008
Stand GB14.
Location: Olympia, London.

Here is where you can find out more and book your tickets http://www.twistedthread.com/stitch/index.asp

Sunday, 6 January 2008

Craft Store SALE

Claim your 10% off selected items in store at http://stores.ebay.co.uk/Saras-Texture-Crafts

Dates: 7th Jan 08 - 14th Jan 08 (11am GMT)

Look out for the 10% off symbols in store.

Sara x

Saturday, 5 January 2008

Yay - something for the new year!

I noticed earlier this week that I was on the trends list at DaWanda, but never thought by the end of the week I would make it to the top!


Thank you everyone for your support.

http://en.dawanda.com/shop/SarasTextureCrafts







Now my plan is to work on getting into the best sellers list... Keep on working then!?!

Sara x

Friday, 4 January 2008

New Year To Do List!


New Year, new opportunities... right? Right! So, here's my to do list for Sara's Texture Crafts in 2008!
  1. To expand my DaWanda offer at http://en.dawanda.com/shop/sarastexturecrafts
  2. And my Etsy offer at SarasTextureCrafts.etsy.com
  3. Expand my craft kits and supplies at http://stores.ebay.co.uk/Saras-Texture-Crafts
  4. To open a new on-line shop (more info coming soon!)
  5. To work my little socks off and host my first exhibition... watch my progress at Diary of a Textile Crafter
  6. To become a regular market stall holder in and around London... upcoming dates will be posted at Event Diary
  7. To give as much back to the crafting community as I can... after all they teach me so much every day!

I hope you will join me on my journey this year... HAPPY 2008, may we all find peace and happiness this year!

Sara xx


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This article will also be posted as part of the DaWanda Shop Directory's blog Carnival at DawandaShopDirectory.blogspot.com - January Blog Carnival

Wednesday, 2 January 2008

The Diary of a Textile Crafter: The Exhibition - Part 4

Well I finally finished! So here's a closer look at the piece.

Diary of an Art Piece #2 - Part 2

Adding the butterflies took a long time. My first problem was how to make them... I tried light and heavy shimmer fabrics at first, to try and give the feel of lightness to the wings but they didn't seem to work with the base. So, I eventually decided to use a felt base instead and a covering of long stitch using stranded cottons...



I think that effect worked better...

So finally a frame... what to use?? Well, I opted for a gold and silver antiqued frame, which you can't really see properly in this picture, but it does set the paleness of the background off against the darker flower bud and butterfly details.

Copyright Sara's Texture Crafts 2008

When I get some time I hope to add all of my artworks to my website's gallery at Sara's Texture Crafts - Gallery This will give those of you who won't be able to make the show in London in March a flavour of my exhibition.

What next? Well, I have one final artwork to do and then those are complete for the show... now where's that list of things to do - must make a start on my stock!

Tuesday, 1 January 2008

HAPPY NEW YEAR & WELCOME BACK!

Good Morning and Happy New Year!

I'm back and working away on my first features and blog posts for the new year... do come in and take a look around and feel free to apply for any upcoming features, etc...

Sara x